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What Is The Wild Wild West

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Verrückter wilder Westen ist eine US-amerikanische Fernsehserie aus den er Jahren, die Science-Fiction- und Agentenfilmelemente mit dem Westerngenre mixt. Wild Wild West. ()IMDb h 41minX-Ray. US Marshall, Jim West, and inventor Artemus Gordon have been teamed up by President Ulysses S. Grant. Buy Wild Wild West (widescreen version) [DVD] [] from Amazon's Movies Store. Everyday low What other items do customers buy after viewing this item? Wild Wild West. ()1 Std. 45 MinX-Ray Artemus Gordon und Jim West mischen im Auftrag des Präsidenten d en Westen auf, um einem irren. What Was the Wild West? (What Was?) (English Edition) eBook: Pascal, Janet B., Who HQ, Marchesi, Stephen: skli.se: Kindle-Shop.

What Is The Wild Wild West

Wild Wild Country ist eine amerikanische Dokumentarserie aus dem Jahr Die sechs April (Engl.) ↑ Wild Wild Country Soundtrack, Auflistung der Soundtrack-Titelliste bei skli.se, aufgerufen am August (Engl.)​. So, what are we thinking -- uh, some kind of ghost, right? [ Cellphone plays Kool Moe Dee's "Wild Wild West" ] Uh, Ranger McCrae here. งั้น พวกเรากำลังคิดอะไรกัน​. What were you in a past life? Ever asked yourself why you feel like you understand things that you shouldn't or you lived.

What's next? Jack Nicholson playing a supporting role to Pauly Shore? Then there's the storyline - are we really supposed to believe that James West as played by Smith, a black man is a hero of the Civil War?

Of course, the casting of Smith serves primarily as a set-up for all the racial humor which gets old fast. Logically, though, it's an asinine premise, a fact which audiences obviously picked up on given the tepid reaction to Smith's so-called "star power" in this weak take-off on a really good television series.

Who's responsible for this mess? Maybe it's the fault of all the writers a total of 6 for writing it, or Sonnenfeld's mess for directing it, or Jon Peters' and Sonnenfeld's mess for producing it, or Warner Bros.

Whose ever it is, it should just be shelved and forgotten as an embarrassing mistake. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.

Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.

Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

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Alternate Versions. Rate This. The two best special agents in the Wild West must save President Grant from the clutches of a diabolical, wheelchair-bound, steampunk-savvy, Confederate scientist bent on revenge for losing the Civil War.

No longer did citizens of these towns believe that they should flee from a fight and avoid conflict, as was often the common behavior in the eastern states.

Instead, people believed they should be able to defend themselves and their properties if they were provoked.

This led to gunfights and other violence, but often, the real lawlessness was far less severe: town sheriffs spent a significant amount of time trying to keep drunks from hurting themselves or others.

Much of the hostility of the Wild West came from conflicts between new settlers and Native Americans, as well as Mexicans, who felt their land was being encroached upon and taken from them.

The Indian Wars caused a significant loss of life from both Native Americans and new settlers. Dan Cavallari Last Modified Date: August 16, The term Wild West refers to area of the United States west of the Mississippi river, specifically during the latter part of the 19th century and into the early 20th century.

Garrison said to himself, 'Michael Dunn would make the most extraordinary villain. People have never seen anything like him before, and he's a fabulous little actor and he's funny as hell.

He came backstage and he told us who he was and he said he was going to do a television show called The Wild Wild West and we would be called.

We thought, 'Yeah, yeah, we've heard all that before. And that's how it started, because he saw the nightclub act.

The character became an immediate hit and Dunn was contracted to appear in four episodes per season. Because of health problems, however, Dunn only appeared in 10 episodes instead of After ten episodes 5—14 , Freiberger and executive producer Michael Garrison were, according to Variety, "unceremoniously dumped," reputedly due to a behind-the-scenes power struggle.

Garrison was replaced by Phillip Leacock, the executive producer of Gunsmoke , and Freiberger was supplanted by John Mantley, an associate producer on Gunsmoke.

The exchange stunned both cast and crew. He turned the matter over to his attorneys. Freiberger said, "I was fired for accomplishing what I had been hired to do.

I was hired to pull the show together when it was in chaos. Let's face it, the show is healthy. I think Fred Freiberger is totally correct in his concept of the show.

It's an administrative change, for what reason I don't know. Mantley produced seven 15—21 episodes then returned to his former position on Gunsmoke , and Gene L.

Coon took over as associate producer. By then, Garrison's conflict with CBS was resolved and he returned to the executive producer role.

Coon left after six episodes 22—27 to write First to Fight , a Warner Bros. Garrison produced the last episode of season one and the initial episodes of season two.

Garrison's return was much to the relief of Ross Martin, who once revealed that he was so disenchanted during the first season that he tried to quit three times.

He explained that Garrison "saw the show as a Bond spoof laid in , and we all knew where we stood. Each new producer tried to put his stamp on the show and I had a terrible struggle.

I fought them line by line in every script. They knew they couldn't change the James West role very much, but it was open season on Artemus Gordon because they had never seen anything like him before.

On August 17, , however, during production of the new season's ninth episode, "The Night of the Ready-Made Corpse", Garrison fell down a flight of stairs in his home, fractured his skull, and died.

When he was tapped for The Wild Wild West, Lansbury was working with his twin brother, Edgar , producing legitimate theater on Broadway.

The first season's episodes were filmed in black and white, and they were darker in tone. The acre lot was formerly the home of Republic Studios , which specialized in low-budget films including Westerns starring Roy Rogers and Gene Autry and Saturday morning serials which The Wild Wild West appropriately echoed.

In the mids the western streets and sets were replaced with new sound stages and urban facades, including the New York streets seen in Seinfeld.

In the lagoon set that was originally constructed for Gilligan's Island was paved over to create a parking lot. Footage of this train, with a 5 replacing the 3 on its number plate, was shot in Jamestown, California.

When The Wild Wild West went into series production, however, an entirely different train was employed. The locomotive, a named the Inyo, was built in by the Baldwin Locomotive Works in Philadelphia.

The Inyo, as well as the express car and the passenger car, originally served the Virginia and Truckee Railroad in Nevada. Footage of the Inyo in motion and idling was shot around Menifee, California , and reused in virtually every episode.

Stock footage of Sierra No. These trains were used only for exterior shots. Neither Stage 6 or the western streets still exist.

The State of Nevada purchased the Inyo in ; it was restored to vintage, including a wider smoke stack and a new pilot cow catcher without a drop coupler.

The express car No. For its role as "The Wanderer" in the film, the engine was sent to the steam shops at the Strasburg Rail Road for restoration and repainting.

The Wild Wild West featured numerous, often anachronistic, gadgets. Some were recurring devices, such as West's sleeve gun or a breakaway derringer hidden in his left and right boot heels.

Others appeared in only a single episode. The main title theme was written by Richard Markowitz , who previously composed the theme for the TV series The Rebel.

He was brought in after the producers rejected two attempts by film composer Dimitri Tiomkin. That took it away from the serious kind of thing that Tiomkin was trying to do What I did essentially was write two themes: the rhythmic, contemporary theme, Fender bass and brushes, that vamp, for the cartoon effects and for West's getting himself out of trouble, and the heraldic western outdoor theme over that, so that the two worked together.

Markowitz, however, was never credited for his theme in any episode; it is believed [ by whom? Markowitz did receive "music composed and conducted by" credits for episodes he'd scored such as "The Night of the Bars of Hell" and "The Night of the Raven" or where he supplied the majority of tracked-in cues for example in "The Night of the Grand Emir" and "The Night of the Gypsy Peril".

He finally received "theme by" credit on both of the TV movies, which were scored by Jeff Alexander rather than Markowitz few personnel from the series were involved with the TV movies.

The animated title sequence was another unique element of the series. The screen was divided into four corner panels abutting a narrow central panel that contained a cartoon "hero".

In the three seasons shot in color, the overall backdrop was an abstracted wash of the flag of the United States , with the upper left panel colored blue and the others containing horizontal red stripes.

Each episode had four acts. At the end of each act, the scene, usually a cliffhanger moment, would freeze, and a sketch or photograph of the scene faded in to replace the cartoon art in one of the four corner panels.

The style of freeze-frame art changed over the course of the series. In all first-season episodes other than the pilot, the panels were live-action stills made to evoke 19th-century engravings.

In season two the first in color the scenes dissolved to tinted stills; from "The Night of the Flying Pie Plate" on, however, the panels were home to Warhol -like serigraphs of the freeze-frames.

The end credits were displayed over each episode's unique mosaic of scenes. In the final season, however, a generic design was used under the end credits.

Curiously, in this design, the bank robber is unconscious, the cardsharp has no card and the lady is on the ground, but the sixshooter in the upper left-hand panel has returned.

The freeze-frame graphics were shot at a facility called Format Animation. During the first season, the series title "The Wild Wild West" was set in the font Barnum, [35] which resembles the newer font P.

In subsequent seasons, the title appeared in a hand-drawn version of the font Dolphin which resembles newer fonts called Zebrawood, Circus, and Rodeo Clown.

Robert Conrad's name was also set in this font. Ross Martin's name was set in the font Bracelet which resembles newer fonts named Tuscan Ornate and Romantiques.

All episode titles, writer and director credits, guest cast and crew credits were set in Barnum. The series is generally set during the presidency of Ulysses S.

Grant from —77; occasional episodes indicate a more precise date:. Some episodes were considered violent for their time and that, rather than low ratings ultimately was the series' downfall.

In addition to gunplay, there were usually two fight sequences per episode. After Conrad suffered a concussion falling from a chandelier in "The Night of the Fugitives," the network insisted that he defer to a stunt double.

Often, George would start a stunt, such as a high fall or a dive through a window, then land behind boxes or off camera where Conrad was hidden and waiting to seamlessly complete the action.

It was hazardous work. Hughes recalled, "We had a lot of crashes. We used to say, 'Roll the cameras and call the ambulances!

Robert Conrad: 6-inch fracture of the skull, high temporal concussion, partial paralysis. Ross Martin: broken leg. A broken skull for Red West.

Broken leg for Jimmy George. Broken arm for Jack Skelly. And Michael Dunn: head injury and a spinal sprain. He did his own stunts.

And on and on. Following the assassinations of Dr. Martin Luther King and Robert F. One of the questions it tackled was if violence on television was a contributing factor to violence in American society.

This also included graphic news coverage of the Vietnam War. The television networks, anticipating these allegations, moved to curtail violence on their entertainment programs before the start of the season.

However, despite a CBS mandate to tone down the mayhem, "The Night of the Egyptian Queen" aired November 15, contains perhaps the series' most ferocious barroom brawl.

A later memo attached to the shooting script of "The Night of Miguelito's Revenge" aired December 13, reads: "Note to Directors: The producer respectfully asks that no violent acts be shot which are not depicted in the script or discussed beforehand.

Most particularly stay away from gratuitous ad-libs, such as slaps, pointing of firearms or other weapons at characters especially in close quarters , kicks and the use of furniture and other objects in fight scenes.

James West rarely wears a gun in these episodes, and rather than the usual fisticuffs, fight sequences involved tossing, tackling or body blocking the villains.

The most caustic of the commissioners, Rep. Hale Boggs D-La. Three months later, in March , Sen. John O. Pastore D-R.

Congress's concern was shared by the public: in a nationwide poll, After being excoriated by the two committees, networks scrambled to expunge violence from their programming.

The Wild Wild West received its cancellation notice in mid-February, even before Pastore's committee convened.

It was seen by the network as a gesture of good intentions. Conrad denounced Pastore for many years but in other interviews he admitted that it probably was time to cancel the series because he felt that he and the stunt men were pushing their luck.

He also believed the role had hurt his craft. I jumped off roofs and spent all my time with the stuntmen instead of other actors.

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